Silent Auction by Art Hazelwood
Color Woodcut, Signed and numbered from the edition of 16, Framed, 2012. USA
Size 8.75” x 25”
Art Hazelwood’s multifaceted identity as an artist, instigator, and impresario reflects the depth and breadth of his engagement with the arts. His practice encompasses a spectrum of political allegory and satire, realized through the medium of printmaking. From political posters to fine press artist books, Hazelwood’s work is both a visual commentary and a catalyst for social discourse.
His curatorial efforts have brought thought-provoking exhibitions to a diverse array of venues, including museums and immigrant centers, highlighting his commitment to accessible art. Over two decades, Hazelwood has been a staunch ally to homeless rights organizations, employing his art as a tool for advocacy and authoring publications that delve into the intersection of art and social issues.
As a visiting artist at San Quentin State Prison and an educator at the San Francisco Art Institute, Hazelwood extends his influence beyond the traditional gallery space, fostering artistic expression in varied environments. His initiative, the San Francisco Poster Syndicate, stands as a testament to his belief in art’s power to challenge and inform public opinion on critical issues.
Hazelwood’s contributions to the art world are recognized through the inclusion of his prints in prestigious public collections such as the New York Public Library, Stanford Special Collections Library, The Library of Congress, RISD Museum, Yale Special Collections Library, and The Whitney Museum of American Art, ensuring his legacy and impact resonate well beyond his immediate community.
Color Woodcut, Signed and numbered from the edition of 16, Framed, 2012. USA
Size 8.75” x 25”
Art Hazelwood’s multifaceted identity as an artist, instigator, and impresario reflects the depth and breadth of his engagement with the arts. His practice encompasses a spectrum of political allegory and satire, realized through the medium of printmaking. From political posters to fine press artist books, Hazelwood’s work is both a visual commentary and a catalyst for social discourse.
His curatorial efforts have brought thought-provoking exhibitions to a diverse array of venues, including museums and immigrant centers, highlighting his commitment to accessible art. Over two decades, Hazelwood has been a staunch ally to homeless rights organizations, employing his art as a tool for advocacy and authoring publications that delve into the intersection of art and social issues.
As a visiting artist at San Quentin State Prison and an educator at the San Francisco Art Institute, Hazelwood extends his influence beyond the traditional gallery space, fostering artistic expression in varied environments. His initiative, the San Francisco Poster Syndicate, stands as a testament to his belief in art’s power to challenge and inform public opinion on critical issues.
Hazelwood’s contributions to the art world are recognized through the inclusion of his prints in prestigious public collections such as the New York Public Library, Stanford Special Collections Library, The Library of Congress, RISD Museum, Yale Special Collections Library, and The Whitney Museum of American Art, ensuring his legacy and impact resonate well beyond his immediate community.
Color Woodcut, Signed and numbered from the edition of 16, Framed, 2012. USA
Size 8.75” x 25”
Art Hazelwood’s multifaceted identity as an artist, instigator, and impresario reflects the depth and breadth of his engagement with the arts. His practice encompasses a spectrum of political allegory and satire, realized through the medium of printmaking. From political posters to fine press artist books, Hazelwood’s work is both a visual commentary and a catalyst for social discourse.
His curatorial efforts have brought thought-provoking exhibitions to a diverse array of venues, including museums and immigrant centers, highlighting his commitment to accessible art. Over two decades, Hazelwood has been a staunch ally to homeless rights organizations, employing his art as a tool for advocacy and authoring publications that delve into the intersection of art and social issues.
As a visiting artist at San Quentin State Prison and an educator at the San Francisco Art Institute, Hazelwood extends his influence beyond the traditional gallery space, fostering artistic expression in varied environments. His initiative, the San Francisco Poster Syndicate, stands as a testament to his belief in art’s power to challenge and inform public opinion on critical issues.
Hazelwood’s contributions to the art world are recognized through the inclusion of his prints in prestigious public collections such as the New York Public Library, Stanford Special Collections Library, The Library of Congress, RISD Museum, Yale Special Collections Library, and The Whitney Museum of American Art, ensuring his legacy and impact resonate well beyond his immediate community.