Untitled by Keith Haring
Lithograph, Framed, 1985, USA
Size 16.54” x 32.29”
Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourdrinier Machine, a process perfected by the Fourdrinier brothers in 1803. Framed in a bespoke gallery black box matt frame.
Keith Haring’s artistry is indeed a vibrant fusion of graffiti’s raw energy and surrealism’s dreamlike abstraction. His piece ‘Untitled (Abstract)’ encapsulates this blend, showcasing the vivid colors and spontaneous lines reminiscent of New York’s 1980s graffiti culture, while also echoing the abstract forms characteristic of surrealist masters like Jean Dubuffet and Pierre Alechinsky. Haring’s work is a dialogue between street art and fine art, a visual language that speaks to the urban experience and the boundless realms of the imagination.
Lithograph, Framed, 1985, USA
Size 16.54” x 32.29”
Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourdrinier Machine, a process perfected by the Fourdrinier brothers in 1803. Framed in a bespoke gallery black box matt frame.
Keith Haring’s artistry is indeed a vibrant fusion of graffiti’s raw energy and surrealism’s dreamlike abstraction. His piece ‘Untitled (Abstract)’ encapsulates this blend, showcasing the vivid colors and spontaneous lines reminiscent of New York’s 1980s graffiti culture, while also echoing the abstract forms characteristic of surrealist masters like Jean Dubuffet and Pierre Alechinsky. Haring’s work is a dialogue between street art and fine art, a visual language that speaks to the urban experience and the boundless realms of the imagination.
Lithograph, Framed, 1985, USA
Size 16.54” x 32.29”
Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourdrinier Machine, a process perfected by the Fourdrinier brothers in 1803. Framed in a bespoke gallery black box matt frame.
Keith Haring’s artistry is indeed a vibrant fusion of graffiti’s raw energy and surrealism’s dreamlike abstraction. His piece ‘Untitled (Abstract)’ encapsulates this blend, showcasing the vivid colors and spontaneous lines reminiscent of New York’s 1980s graffiti culture, while also echoing the abstract forms characteristic of surrealist masters like Jean Dubuffet and Pierre Alechinsky. Haring’s work is a dialogue between street art and fine art, a visual language that speaks to the urban experience and the boundless realms of the imagination.